Carol Reed

PUFF PIECE –SAND, 2023, 22” X 30” included in 2024 Delta National Small Prints Exhibition, Bradbury Art Museum, Arkansas State University. Juror: Yuji Hiratsuka, Artist and Professor of printmaking at Oregon State University,

BOUNCE, 2022, 30”X 22”, acrylic painting on paper, Included in “The Invincible Visible” Transformer DC exhibition and benefit auction. Katzen Arts Center, American University.

A portfolio of six stone lithographs from the edition of “Conversation, 2019” was accessened into the Georgetown University Art Collection, Booth Family Center for Special Collections, Washington, D.C. https://art.library.georgetown.edu/objects-1/thumbnails?records=50&query=sort_artist%20%3D%20%22Reed,%20Carol%22&sort=9

As part of the membership educational enrichment program, 25 members from the Washington Print Club, were hosted in November 2022 for a private studio visit.  The tour included a look at both past and current works on paper plus a presentation and process demonstration of work in progress.

CARBON ARCH: BAD FAITH 30” x 44” on 140 lb smooth cotton watercolor paper and made in 2021, with charcoal, graphite, black ink, acrylic paint, stencil

Included in (Not) Strictly Painting, September 18 through November 13, 2021, McLean Project for the Arts, Biannual Exhibition. Selected by juror Foon Sham, sculptor and Professor of Art, University of Maryland. The exhibition will be available for viewing in-person and on-line at https://mpaart.org/exhibitions/not-strictly-painting/

CONVERSATION (turquoise and gray) Stone Lithograph with embossment and added color, Printer Proof from an edition of 10, 20in x 30in, 2019

Included in 2021 Biannual exhibition, INK IT: Contemporary Print Practices, presented by BlackRock Center for the Arts. Selected by juror Susan J. Goldman, the exhibition will be presented from Saturday, February 27 through Saturday, April 10, 2021 as an Online Exhibition and Virtual 3D Gallery on the website: https://www.blackrockcenter.org/ink-it

Red Rocker, 30″ x 44″, 2018
Aqua Fan Wall, 30″ x 44″, 2018
Included in CONNECTIONS, a virtual exhibition curated by Marilyn Fox, Freyberger Gallery,
Penn State University, Berks, PA
Participation in the exhibition was by invitation and will be available online from
November 10, 2020 – February 10, 2021

The DC Commission on the Arts and Humanities held both a real and virtual exhibition for Art Bank finalists. Dream Bear was on exhibition from November 2 through December 11, 2020 and was later accessioned into the Art Bank permanent collection for 2020

Padlock, 30 x 44in, 2013
A drawing made with charcoal, ink, graphite and colored pencil on paper was installed in the residence of the U.S. Ambassador, Bratislava, Slovakia, for Art in Embassies, U.S. Department of State, January 2017 to January 2020

Small House with Golden Roof and Horses, 30″ x 44” 2019

Don’t Walk Toward the Carousel, 30″ x 44” 2019

Both accessioned into the Art Bank permanent collection of the DC Commission on the Arts and Humanities for 2019

Conversation, 20”x 30”

A stone lithograph with blind embossment, printed on Rives BFK and produced in an edition of 10 at Georgetown University in September 2019. Artist proof was accessioned into the Georgetown University Art Collection, Washington DC

Fan Wall with Feathers, 22 x 15in, 2018

Included in the printmaking biannual, INK IT: Contemporary Print Practices at BlackRock Center for the Arts, Germantown, MD. Juror for the exhibition was Crawford Alexander Mann, Curator for Prints and Drawings, National Museum of American Art, Smithsonian Institution, Washington DC

Brocade Arch, 32 x 44 in, 2016

Accessioned into the Art Bank permanent collection of the Washington DC Commission on the Arts and Humanities, for 2018

Tattoo House, 30in x 22in, 2016

Included in Strictly Painting Biannual, McLean Center for the Arts, McLean, VA, July-August, 2017

Flee, Resettle, Repeat, 20 x 32in, 2015

Included in the printmaking biannual, INK IT: Contemporary Print Practices at BlackRock Center for the Arts, Germantown, MD. Juror for the exhibition was Helen Frederick. This exhibit has highlighted current fine art print practices in traditional and nontraditional printmaking processes.
September 2020, Flee, Resettle, Repeat, became part of the corporate collection for the Fund for Global Human Rights, Washington, DC

CAROL REED: Paper Arches

Solo exhibition of 24 pieces, for The Arts Club of Washington, Washington, DC
Catalog Statement by Erich Keel, Head of Education, Kreeger, Museum, Washington DC

Oh the Joy! 32 x 44in, 2015

Included by invitation Athenaeum Invitational 2016, Northern Virginia Fine Arts Association, Alexandria, VA

Carbon Arch, 32” x 44” 2015
Keystone #7, 32” x 44”, 2015
River Door, 22” x 30”, 2016

Accessioned into the Art Bank permanent collection of the Washington DC Commission on the Arts and Humanities, for 2016

CAROL REED: Not just black and white

Solo gallery exhibition for Susan Calloway Fine Arts, Washington DC. Catalog statement by painter, printmaker Rosemary Feit Covey

Carol Reed: Original and Imprint

Solo Exhibition, Hill Center Galleries at the Old Naval Hospital, Washington, DC
The Galleries consist of 6 exhibitions spaces within the renovated 1864, Civil War-era Old Naval Hospital

Purple Broken Hinge, 30″ x 44″, 2014
Icon, 15″ x 15″, 2014
Broken Knots, 30″ x 44″, 2014

These three pieces were on exhibit and sold at ARTNIGHT, a juried exhibition and benefit sale for Washington Project for the Arts, held at Hickok Cole Architects, connecting the Washington DC architectural and arts communities into one of D.C premier local art events, with over 800 people attended the opening night

Washington Project for the Arts (WPA) Studio Visit

Washington Project for the Arts (WPA) Studio Visit Director, Lisa Gold, plus several members of the Washington Project for the Arts (WPA) visited my newly completed studio as part of the WPA studio marathon, visiting 40 studios over a period of four days from Wednesday, July 16 through Saturday, July 19, 2014

Construction of a new work space began in spring of 2014 was complete in fall

Purple Broken Hinge, 30″ x 44″, 2011

Included in Hill Center Galleries Regional Juried Exhibition Exhibition juror Phillip Kennicott , Art and Architecture critic for the Washington Post

Keystone, 30” x 44” 2011

Washington Project for the Arts (WPA) Studio Visit Director, Lisa Gold, plus several members of the Washington Project for the Arts (WPA) visited my newly completed studio as part of the WPA studio marathon, visiting 40 studios over a period of four days from Wednesday, July 16 through Saturday, July 19, 2014

Carol Reed: works on paper Solo exhibition, Glenview Mansion Art Gallery. The exhibition included 24 works on paper

Built in 1926, The Glenview Mansion, is a neo-classical revival home, listed on the National Registry for Historic Places in Rockville Maryland. It sits at the heart of the Civic Center complex and is surrounded by 28 acres of landscaped grounds and ornamental gardens. The Art Gallery, is four sun-filled interior rooms, located within the Glenview Mansion

Carol Reed: work on paper Solo Exhibition, The Athenaeum, Northern Virginia Fine Arts Association

The exhibition included 22 works on paper. Catalog statement by Christopher With, Curator of Art Information, National Gallery of Art, Washington, DC
The Athenaeum is an important example of Greek Revival architecture and is currently the home of the Northern Virginia Fine Arts Association. The building, part of the Virginia Trust, was listed on the National Register of Historic Places in 1980

US Department of State, Fulbright Scholar, Senior Research Fellowship Residency New Delhi, India

Solo Exhibition 32 works on paper, American Center, December 2007 Conference Co-manager: Issues in Indian Museum Education, National Museum, New Delhi. November,2007 Special programs in museum education and cultural heritage for young people.