Red Rocker, 30″ x 44″, 2018
Aqua Fan Wall, 30″ x 44″, 2018
Included in CONNECTIONS, a virtual exhibition curated by Marilyn Fox, Freyberger Gallery,
Penn State University, Berks, PA
Participation in the exhibition was by invitation and will be available online from
November 10, 2020 – February 10, 2021

The DC Commission on the Arts and Humanities held both a real and virtual exhibition for Art Bank finalists. Dream Bear was on exhibition from November 2 through December 11, 2020 and was later accessioned into the Art Bank permanent collection for 2020

Padlock, 30 x 44in, 2013
A drawing made with charcoal, ink, graphite and colored pencil on paper was installed in the residence of the U.S. Ambassador, Bratislava, Slovakia, for Art in Embassies, U.S. Department of State, January 2017 to January 2020

Small House with Golden Roof and Horses, 30″ x 44” 2019

Don’t Walk Toward the Carousel, 30″ x 44” 2019

Both accessioned into the Art Bank permanent collection of the DC Commission on the Arts and Humanities for 2019

Conversation, 20”x 30”

A stone lithograph with blind embossment, printed on Rives BFK and produced in an edition of 10 at Georgetown University in September 2019. Artist proof was accessioned into the Georgetown University Art Collection, Washington DC

Fan Wall with Feathers, 22 x 15in, 2018

Included in the printmaking biannual, INK IT: Contemporary Print Practices at BlackRock Center for the Arts, Germantown, MD. Juror for the exhibition was Crawford Alexander Mann, Curator for Prints and Drawings, National Museum of American Art, Smithsonian Institution, Washington DC

Brocade Arch, 32 x 44 in, 2016

Accessioned into the Art Bank permanent collection of the Washington DC Commission on the Arts and Humanities, for 2018

Tattoo House, 30in x 22in, 2016

Included in Strictly Painting Biannual, McLean Center for the Arts, McLean, VA, July-August, 2017

Flee, Resettle, Repeat, 20 x 32in, 2015

Included in the printmaking biannual, INK IT: Contemporary Print Practices at BlackRock Center for the Arts, Germantown, MD. Juror for the exhibition was Helen Frederick. This exhibit has highlighted current fine art print practices in traditional and nontraditional printmaking processes.
September 2020, Flee, Resettle, Repeat, became part of the corporate collection for the Fund for Global Human Rights, Washington, DC

CAROL REED: Paper Arches

Solo exhibition of 24 pieces, for The Arts Club of Washington, Washington, DC
Catalog Statement by Erich Keel, Head of Education, Kreeger, Museum, Washington DC